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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond at Leeds during 1977

The talented musician, one half of the innovative 1980s synth-pop duo Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the pair scored a worldwide hit with their version of Gloria Jones' Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a seminal work of electronic music.

He subsequently founded the pioneering techno group The Grid, who secured popular acclaim with 1994's the hit Swamp Thing.

Ball died peacefully in his sleep at his home in London on Wednesday 22 October, just weeks after playing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that performance, Ball appeared in a wheelchair, as he had for the last two years, following a spate of ill-health.

"I ended up injure myself significantly," he stated in 2023. "I broke lower vertebrae in my spine and fractured about five ribs and fractured my arm."

Following contracting a lung infection and suffering from blood poisoning, he was placed in an medically-induced sleep and stayed in the hospital for seven months.

Nevertheless, he had been in "high spirits emotionally" during the summer, as he worked on a new album with Almond, called Danceteria, which is scheduled for release in the coming year.

"He was focused and so happy with the latest project that we actually completed only a short time ago," said the singer in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an uplifting year for him, and I find comfort from the fact that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the early 1980s

Tributes

Almond described his bandmate as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an immense aspect of my existence and for the music you created with me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".

"Being in a partnership with someone is distinct from joining a group, the connection is very tight," he added.
"That was the case with us. We experienced so many remarkable, extraordinary, memorable experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Formative Years

Born into a one-parent family in the city of Chester in 1959, Ball was given up for adoption when he was 18 months old.

He grew up in Blackpool with adoptive parents Donald and Brenda Ball, who changed his given name from Paul to his adopted name, together with his younger sister Susan, who was similarly welcomed.

He met Almond at an art college in 1977, where they were both learning fine arts. Fuelled by a shared love of a music genre, they established Soft Cell the same year, and promptly recorded an EP.

Creative Collaboration

The duo were an unusual combination: Ball was the quiet technician, bent over his keyboard, while Almond was a charismatic showman, all sparkle and makeup; but they achieved a rare musical alchemy.

Ball had cultivated a fascination with synthesizers after viewing the band Kraftwerk perform on a television science show Tomorrow's World, and started to marry moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second biggest-selling song of the early 80s, selling millions of units worldwide. Together with hits by other artists, contemporary bands and Ultravox, it helped cleared the way for the synth-pop sound of the 1980s.

The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The pair were developing fresh songs until just before Ball's passing

Professional Journey

Fame had its upsides. "I enjoyed being able to afford my initial property, having financial security and exploring, which might seem like a beauty queen," Ball not long ago shared with a publication.

But it also presented challenges. "Newfound wealth meant we could purchase newfound drugs to alleviate the monotony" of media interviews and TV performances, Ball explained.

"I know that's a cliché, but it's a truism for a good reason, because it applies for so many musicians."

During the party-filled existence, the pair were also growing distant, but they succeeded to create a second memorable record - the wayward, edgy and fittingly named The Art Of Falling Apart.

They put out one more LP, 1984's This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond went on to have a prosperous individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with ambient pop over a enduring collaboration.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, releasing the charting album Cruelty Without Beauty.

After another break, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the large venue on 30 September, that year.

Yet, they stayed active, creating their fifth album, Happiness Not Included, during the 2020 restrictions.

Ball lately characterized the band's new album as a homage to the NYC nightlife they frequented while recording their initial records.

He noted that his period in hospital had influenced the group's music.

"I had strange recollections when I was in and out of hospital because I was on pain medication," he told a music magazine.
"The new songs are a digital reflection of the noises in my mind from that time.
"Simultaneously, it's about the times me and Marc got up to in the 1980s."

The last versions were completed only days before Ball died. It is scheduled for release in Spring 2026.

The writer

Carrie Hamilton

Maya Chen is a seasoned journalist with over a decade of experience covering international affairs and political developments.

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